Picasso’s work focuses on color, contrast, and the human form. His paintings combine pop art with structural studies, using bold colors to expose what lies beneath. With a background in graphic design, he shifted to painting after years of independent exploration. His interest in skeletons and structure leads him to strip away surfaces and concentrate on form. In pieces like "X-Ray Guy" and "D-Rooster," Picasso examines identity, strength, and fragility, reducing figures to their core elements. His works provoke a response, shifting between the familiar and the unsettling.
Q: Your paintings are an exciting mix of pop art and anatomical precision. What drew you to this style, and how did it develop?
A: From a very young age, I was fascinated by human and animal anatomy. I grew up in the countryside, surrounded only by animals and my family. My environment shaped my inspiration, but that was only the beginning. As a teenager, I studied biological sciences, and that’s where my journey truly began. Always drawn to design, illustration, and art, I started my studies as a graphic designer. The skills I acquired during this time gave birth to my style—a mix of pop art and human and animal anatomy.
Q: "X-Ray Guy" and "Ginger" both reveal hidden layers, physically and metaphorically. What fascinates you about what lies beneath?
A: These two works represent much of the culture around me. The message in my work is to show the unity among all living beings that inhabit the Earth, and how, regardless of our ethnic, cultural, or religious differences, we were all created from the same essence and energy. What fascinates me most about these works is how we can present one thing outwardly while feeling something entirely different inside—joy can mask depression, happiness can conceal sadness, and daily routines can become completely superficial and meaningless. The hidden detail in these two pieces is that the characters were inspired by my wife and me, though only their facial features resemble us.
Q: Your use of color is incredibly bold and dynamic. How do you decide on a color palette, and what role does color play in shaping emotion in your work?
A: Color is a crucial part of my work; I like to use a wide and explosive palette. This is largely due to my training as a graphic designer. Most people who see my work on Instagram believe it is digital rather than real oil painting. I enjoy sharp contrasts that highlight and differentiate the exterior from the interior. I use a lot of turquoise to depict skeletons, as it is a color that conveys tranquility, clarity of mind, renewal, serenity, and creativity.
Q: "Coolesterol" brings a strong connection between humans and animals. What inspired this piece, and what themes were you exploring?
A: This particular piece is one I like a lot. I’m not a vegetarian—far from it—but I am deeply intrigued by the relationship between humans and animals. The pig represents sacrifice—giving oneself completely, going unnoticed, being degraded, ignored, and even hated. All of this happens to ultimately serve those who neither see you as an equal nor love or treat you with affection. And yet, none of these emotions are reciprocated, as the pig does not feel them in return. It’s an ironic yet complementary relationship.
Q: You’ve mentioned that you rely on instinct rather than formal artistic influences. How does that approach shape your creative process?
A: I never intentionally tried to enter the art world; rather, I did the opposite. I like to isolate myself and see how my work develops organically. However, in today’s world, it is impossible to completely disconnect due to social media. Still, I try to distance myself as much as possible. I believe that to develop a truly unique style, the best approach is to do so without any external influences. I admire many artists,
but I also think originality is becoming increasingly difficult to achieve, as time and exposure lead us to repetition.
My mind constantly absorbs what surrounds it, and that is the fuel for my creativity—I feed off of it and give back through my art.
Q: Your background in graphic design clearly influences your compositions. In what ways do design principles carry over into your painting?
A: I work extensively with layers, as if I were using Photoshop or Illustrator. I apply paint directly from the tube, much like using the paint bucket tool in a design program. I tend to be practical, solving challenges without emphasizing artistic skill or technique. I approach portraits as if they were created in a digital design program. I believe my main influence from graphic design lies in my use of color and composition. However, when I create, I don’t overthink it—I let myself go with the flow.
Q: "D-Rooster" explores both strength and fragility. How do you navigate that balance in your work?
A: This duality is a constant in my work; it is part of my nature and personality. I am a person who is very sensitive to emotions and tends to absorb the energy around me. Outwardly, I may appear strong, but inside, I am fragile. This is evident in all of my works. My characters have strong exteriors, but underneath, there is an emotional fragility that is difficult to express. I believe every artist is highly receptive to external emotions—we absorb the energy around us at an accelerated rate.
Q: What’s next for you? Are there any new directions you’re excited to explore?
A: I am very excited about what’s to come. For over four years, I have been preparing my works to build a compelling collection for exhibition. I believe my next big step will be hosting my first solo show, where audiences can engage with my work in person. As for my creative journey, I let it unfold naturally, without rushing anything. I strive to continuously improve and evolve my work over time.